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The reboot transforms the musclebound, scantily-clad grownups of the original series into awkward teens in much more practical (but still very sparkly) clothing. While Stevenson’s reimagination of the world of Etheria pays tribute to its predecessor, it includes some key differences. I want to be the one to do this,’” she says. It’s this world that has all my interests rolled into one: It’s got the flying ponies and superpowers and all of these things that, immediately, I was like, ‘I want to do this. “The world is so incredibly vibrant, and has so many powerful female characters. She was already an Eisner Award-winning cartoonist and writer who had made a name for herself with works like her web comic-turned-graphic novel Nimona and the Boom! Studios series Lumberjanes. In 2015, when Stevenson, then 23, found out that DreamWorks Animation was looking for someone to pitch a new take on She-Ra, she jumped at the chance.
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Adora is an ex-Horde soldier who joins the rebellion after she gains the ability to transform into She-Ra, a superpowered Chosen One with glowing blue eyes, a mystical sword, and a very cool outfit.
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Set on the planet of Etheria, She-Ra follows a band of magical princesses in their rebellion against the Evil Horde, a totalitarian sci-fi regime bent on global domination. The original She-Ra: Princess of Power was a 1985 Filmation spin-off of He-Man and the Masters of the Universe, which itself was based on a line of Mattel action figures. But I also felt that it was really important.” To have the culmination of her arc be this lesbian love plot is a big deal! And I understood that. “I knew from the start that it wasn’t going to be easy,” says Stevenson, speaking via phone from Los Angeles. Risky Business: Every Tom Cruise Film, Ranked - Updated In its fifth and final season, which dropped on Netflix last month, She-Ra rounded out its 52-episode run by centering a queer romance - specifically, between its hero, Adora, and her best frenemy Catra - and positing that such a love can, quite literally, save the world. Since its premiere in 2018, Noelle Stevenson’s reboot of the cult Eighties cartoon has joined a revolution in the world of children’s animation, combining classic genre storytelling with diverse representation and a progressive worldview (see also: Nickelodeon’s The Legend of Korra, Cartoon Network’s Adventure Time and Steven Universe ). Which is exactly what makes a show like She-Ra and the Princesses of Power so vital. Kids who see their experiences relegated to the sidelines, or not represented at all, come away with a very different lesson - one that can take years to unlearn. Kids who see themselves as the hero learn to center themselves in their own life stories. We’re all shaped by the myths we grow up with, whether it’s the stories we learn from holy books or Saturday morning cartoons.